Grace Saint & The Monk – ‘All Creatures Great & Small’
16:00 Saturday 29th August
All Creatures Great & Small is a Christian-Buddhist funeral ceremony for a forgotten anonymous rat.
16:00 Saturday 29th August
All Creatures Great & Small is a Christian-Buddhist funeral ceremony for a forgotten anonymous rat.
20/08/26 to 26/08/26
A celebration of the queer models and artists from the Margate Arts Club’s first term of life drawing sessions, held from February to July 2026. This exhibition brings together work created at the club: a place of creativity and community.
13/08/26 to 19/08/26
While exploring how their work could come together, Nadia, David and Mique found themselves focusing on the running theme of intimacy that they all explore through imagery of bodies, sexuality, and the uncovering of their own identities, while pushing against the boundaries and limitations that society places upon them.
30/07/26 to 12/08/26
I find the erotic such a kernel within myself. When released from its intense and constrained pellet, it flows through and colours my life with a kind of energy that heightens and sensitises and strengthens all my experience’
Audre Lorde, Uses of the Erotic: the Erotic as Power (1978)
22/05/26 till 27/05/26
A solo exhibition of life drawings in mixed media by Philli.
14/05/26 till 20/05/26
Paper Cuts is Mique’s first solo exhibition, comprising a small survey that brings together homoerotic collage works, portraits, and landmark images from Margate and Thanet that he created while living in the UK.
07/05/26 till 13/05/26
“A Study In Chalk” is Matt Ward’s first exhibition. The collection comprises a mix of Thanet land and seascapes using cliff chalk, and a variety of striking images, often of dark subject drawn in white.
02/04/26 till 29/04/26
A series of exhibitions by Thanet based artists curated by Thanet Experimental.
3rd – 7th April – Loser Gang
10th – 14th April – David Nettleingham
17th – 21st April – Vicki Salmi
24th – 28th April – Tread Collective
20/03/26 till 02/04/26
Commencing at the equinox, Anastasia Tory’s installation invites us to greet this time of new beginnings with curiosity. Ceramic forms appear to float as they are imbued with energy. Vessels burst into life with feminine vigour, echoing the ancestral cycles that define our existence. In the central work, patterned fields of clay and fossil connect our inter-generational experience of biological rebirth with the pre-historic and cosmic, inviting us to imagine the Springs of times when life was radically different, yet cyclically familiar. The installation is a comforting expression of our interconnected experience of Spring and its astronomical inevitability.