Anastasia Tory – ‘Spring’

20/03/26 till 02/04/26

Commencing at the equinox, Anastasia Tory’s installation invites us to greet this time of new beginnings with curiosity. Ceramic forms appear to float as they are imbued with energy. Vessels burst into life with feminine vigour, echoing the ancestral cycles that define our existence. In the central work, patterned fields of clay and fossil connect our inter-generational experience of biological rebirth with the pre-historic and cosmic, inviting us to imagine the Springs of times when life was radically different, yet cyclically familiar. The installation is a comforting expression of our interconnected experience of Spring and its astronomical inevitability.

Dana Fox – ‘Haunted Futures’

05/09/25 till 10/09/25

A long time ago, human beings had the power and the knowledge to travel in time and space at will. We partially lost that knowledge, but artefacts used by our ancestors still exist, as well as certain methods for interdimensional travel. dyzlocation is an organisation which is working to uncover these methods, to investigate these phenomena and the unexplained side-effects which can result – such as an obsession with nostalgia, recurring deja vu and visits from otherworldly beings. Introducing Haunted Futures, the first part of the dyzlocation narrative. Your future is haunted.

James Tuitt – ‘THE FOGGIEST’

28/08/25 till 03/09/25

While ‘feeling’ instead of ‘filming’ is valid and necessary guidance to enjoying the clubbing experience, for Tuitt, this sentiment is almost a surrender to an idea that these nights and experiences don’t need to exist beyond the moment. The Foggiest considers the reality that not only might we want to hold on to some of these memories, but also that our memory may not always serve us so well, especially when it comes to the personal, oral histories of eras, spaces or people.